Robin McKinley does literate fantasy with enormous intelligence and a sure command of story. Her re-imaginations of Beauty and the Beast and Sleeping Beauty are revelatory and emotionally satisfying. Her heroines are strong and believable in ways more female protagonists should be. The Hero and the Crown won a Newbery Medal for its characters as much as its flawless craft. The story draws you into a world that seems real from its first detail to its last litter of puppies in the middle of the royal featherbed. It is Aerin’s story but it is a classic hero’s journey and every girl who reads it should get a few ideas. Every boy who reads it should re-examine a few.
Aerin is the king’s daughter, child of a mother who died at her birth, a mother who was considered by the good folk of Damaria to be a witch. So Aerin’s place in the kingdom is far from assured and she is the merciless taunt of her gorgeous and shallow cousin who schemes for power and position. The people believe Aerin may be a witch-child, a sol who has no apparent magical gifts, uncommon blazing red hair and white skin and a tendency toward unladylike pursuits.
From earliest childhood, Aerin has been inseparable from her friend Tor, the appointed first sola or heir to a king with no male children. Tor teaches her swordplay and confides in her but even Tor can’t define where Aerin fits in and what she is meant to be. She heals and tames her father’s injured war horse who has been turned out to pasture, teaching herself to ride hands-free and wield sword and spear on horseback. When she discovers an old formula for a fire-shielding ointment, she determines to perfect the recipe and become a dragon-killer—the dragons being fiercely volcanic vermin that terrorize the countryside, although they bear little resemblance to the legendary flying monsters that are long gone from Damaria.
Arlbeth, the king, refuses to take his daughter to battle with threatening dissidents from the North so Aerin sets out in secret to destroy Maur, the horrifying Black Dragon now returned, a massive evil presence laying waste to villages and farms at the outskirts of the kingdom. Her adventures are epic, her encounters deadly and the consequences of the lethal struggle with Maur set events in motion that spin wildly through tragedy, deep magic, heroism and destruction to the story’s conclusion.
McKinley has written another terrific tale, a fantasy with no fairytale princess but a tough, smart and battle-scarred heroine who shies away from the people who mistrust her and is desperate to prove her place. Aerin is funny, irreverent and brave. She is also impulsive, awkward and a miserable dancer. Her uncanny empathy with animals and the powerful magic she doesn’t realize she has propel her on a journey into a Tolkienesque hell that she undertakes as if fate compels her. Fate does. Aerin is no ordinary mortal but she is an extraordinary heroine and her quest captivates us. I rooted for her, even as I wanted to shout, “Go back! This is a really bad idea!” But there is no turning back. The losses are losses that can’t be redeemed; the victories are bittersweet. The story unspools as intensely visual as a film and I was sorry to leave the world McKinley created as I turned the last page.
The Hero and the Crown Robin McKinley | Firebrand 2002