Tag Archives: Lewis Carroll

Lethal Legacy – Linda Fairstein

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I resisted reading a Linda Fairstein mystery for years, even though her reviews were great, her sales were brisk and her bona fides were impeccable. The inciting incidents of her mysteries are inspired by the work of the DA’s Sex Crimes Unit in Manhattan. Some of the saddest and most horrific stories I covered as a journalist were the sexual assaults, many ending in murder, of women and little girls. When I had time to read for pleasure, I just couldn’t face fiction about that kind of savagery.

Maybe Lethal Legacy is the lone Fairstein novel in which the possibility of assault is the excuse to get Alexandra Cooper, the sex crimes detective who stars in Fairstein’s high stakes whodunits, on the case. If so, I’m happy to have stumbled across it. There is mayhem galore in the book but it isn’t a serial-killer-who-targets-and-mutilates-young-women-living-in-historic-brownstones novel. Instead, half-hidden worlds come to light and some very contemporary cops explore them in search of suspects. I will definitely check out more of Fairstein’s fiction because Lethal Legacy is one of the most satisfying detective tales I’ve read in a long time.

This book weaves a deadly plot around rare books and mythological ancient maps worth gazillions. The New York Public Library–from which I borrowed the novel and many of the other books I am reading for this challenge—is at the center of a sophisticated mix of impassioned collectors, skillful conservation and forgery, wealthy trustees and their twisted family ties, the architectural history of New York City, legal maneuvering in criminal court, strategic maneuvering in the police department, a raft of suspects from every level of Manhattan society, and a few decent meals, courtesy of an urbane love interest who is an internationally respected master chef.

It’s great. Clean beautiful writing that doesn’t intrude on the story, clues dropped everywhere that actually turn out to mean something, realistic dialog—except for the lack of casual profanity which is totally unrealistic for cops on murder stakeouts, sorry—accurate portraits of New York now and fascinating glimpses of New York in some of its more colorful eras. Fairstein ran the Sex Crimes Unit in the DA’s Office in Manhattan for two decades and she knows her stuff—police procedural and legal. She does a yeoman’s job of research to make situations and clues out of real events and history. You learn a lot while you’re trying to figure out who did it and why.

The luxury condo conversion of an abandoned historic cancer hospital on Central Park West—watched it happen. The reference to the Collyer brothers, epic hoarders who died under mountains of their stockpiled junk in a Riverside Drive mansion, is a famous and true account of New York weirdness. The site of the present main library building was the early City’s first reservoir. The popular park that abuts the building now is a former potter’s field that has catacombs beneath it where miles of the library’s stacks are stored. All this trivia is factual and serves the fictional plot well.

Lethal Legacy was a very good read and I have learned to be grateful for those as I slog through some books that don’t really make the cut. So I’m adding Fairstein to my revisit list. I’ll probably order a few more Alexandra Cooper mysteries from the St. Agnes Library, my fabulous local branch, now that Cooper has ensured the NYPL’s future health and well-being by finding the rare folios and the murderous dealers and collectors, and making the Main Reading Room safe for us all again.

Lethal Legacy    Linda Fairstein | Doubleday  2009

The Looking Glass Wars – Frank Beddor

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Alyss Heart is a feisty, pampered, imaginative seven-year-old princess in Wonderland and it’s her birthday. The entire queendom clamors at her feet, with endless displays of the wonders of White Imagination, crystal technology and All Good Things that leave the restless little girl slightly bored. Soon enough she slips away to get into some mischief with her soulmate-playmate Dodge, the son of a distinguished guardsman knighted by Alyss’s mother, Queen Genevieve herself.

Frank Beddor’s The Looking Glass Wars is the first volume of a trilogy that re-imagines Lewis Carroll’s epic tales. No White Rabbit in this story but there is a Mad Hatter of sorts, and a Red Queen and a really awful Cat, not Cheshire. Beddor takes the richest of material and imbues it with the threat of deadly jabberwocks, stoned caterpillars and so many mirrors that we see reflections of reflections, each with its own distorted image.  

The royal birthday festivities are fatally interrupted when Genevieve’s elder sister Redd and her lethal minions arrive. Redd’s favorite cry is “Off with their heads!” and she proceeds to do just that, reclaiming Wonderland for herself and laying waste to the Heart Palace and everyone in it. Alyss escapes through a looking glass with her bodyguard, the knife-slashing, blade-wielding Hatter Madigan. They jump in the Pool of Tears where Alyss loses her grip on Hatter and emerges in a puddle in London while he pops out in Paris. Back home in Wonderland, blood flows crimson over the land and a reign of horror begins.

Alyss soon finds that her insistence on the reality of Wonderland and her own royal birthright is a source of mockery and danger. She takes up with a Dickensian band of street urchins, is hauled off to an orphanage, adopted by an Oxford cleric and moves to a rambling house in the countryside that abuts the property of the Reverend Charles Dodgson. Alyss Heart becomes Alice Liddell, a beautiful but troublesome child exploding with imagination, impossible tales and far too much attitude for her own good. Dodgson is charmed by her, coaxes her fairytale autobiography from her and turns it into an epic fantasy for publication, the ultimate betrayal.

The princess thinks she has found her amanuensis, a willing scribe for her true tale and identity, someone whose work will validate her wild claims. Instead she hands her life to that ultimate predator, the writer, who twists and reshapes it into a fiction of his own design and plunges her into an identity crisis and the depths of despair.

Beddor has a lot of fun with his source material and uses it to construct a breathless read through fantasy, magic, epic battles, evil doings, love, loss, courageous deeds, and adventures that test the adults and mature the children. The Looking Glass Wars is thoroughly enjoyable—a tale for tweens, teens and adults who have no trouble believing, as the White Queen does, “as many as six impossible things before breakfast.”

The Looking Glass Wars    Frank Beddor   Penguin Group   2006